Location: Room 411, Fayerweather Hall
Introduction by Manan Ahmed, History Department
Jonathan Eacott is Associate Professor in the Department of History, at the University of California, Riverside. He earned his Ph.D. from the University of Michigan as well as M.A. in British History from Queen's University, Kingston and a joint B.A. in History and International Development Studies from McGill University, Montreal. Eacott's research focuses on the British and their empire from the eighteenth century to the present. His first book, Selling Empire: India Goods in the Making of Britain and America, 1700-1830 (2016) explores the far-reaching economic, industrial, social, and political importance of decisions made by Britons, colonists, and Americans to assimilate the production and consumption of such India goods as cotton cloth and umbrellas into their local economies and societies, while they associated other India goods, such as hookah pipes and palanquins, with the East.
View directions to Faculty House.
Her publications include the monographs Mysore Modern: Reconceptualising the Region under Princely Rule (2011); The Promise of the Metropolis: Bangalore’s Twentieth Century, awarded the 2005 New India Foundation Book Prize; Miners and Millhands: Work, Culture and Politics in Princely Mysore (1998); and Women and Law in Colonial India: A Social History (1996). She co-edited Theorising the Present: Essays For Partha Chatterjee, with Anjan Ghosh and Tapati Guha Thakurta, (2011); and A Question of Silence? The Sexual Economies of Modern India, with Mary John (1998).
Abstract: This paper looks at the role of media and communication technologies in the imagination of urban spaces in contemporary Bombay cinema. If surveillance practices and their resultant structuring becomes one part of this imagination (No Smoking 2007, LSD 2010, Ugly, 2013), we also see the role of the internet and social media in the framing of spatial encounters in small town India (Masaan 2015). A fascination for ‘obsolete’ technology frames another order of space linked to the recent past (Gangs of Wasseypur 2012, Miss Lovely 2012, Dum Lagake Haisha, 2015), while documentary films like John and Jayne (2005) invoke the call centre imagination within a fractured urban subjectivity. In these films, the themes of violence, love, tragedy and comedy are enacted within a spatial terrain triggered by new media technologies. Taken together these films offer a new geography of the experiential changes unraveling in contemporary India.
Ranjani Mazumdar is Professor of Cinema Studies at the School of Arts & Aesthetics, Jawaharlal Nehru University. Her publications focus on urban cultures, popular cinema, gender, and the cinematic city. She is the author of Bombay Cinema: An Archive of the City (2007) and co-author with Nitin Govil of the forthcoming The Indian Film Industry. She has also worked as a documentary filmmaker and her productions include Delhi Diary 2001 and The Power of the Image (Co-Directed). Her current research focuses on globalization and film culture, the visual culture of film posters and the intersection of technology, travel and design in 1960s Bombay Cinema.
Manu Goswami’s research and teaching center on nationalism and internationalism, political economy and the history of economic thought, social theory and historical methods. Her book, Producing India: From Colonial Economy to National Space was published in 2004 as the inaugural volume of an interdisciplinary book series, Chicago Studies in the Practices of Meaning. She is currently working on an intellectual and political history of colonial internationalisms during the interwar decades. Her longer-run research interests include the place and status of empire in the work of major classical and neo-classical economists during the nineteenth and twentieth century. She was a fellow in the School of Social Science at the Institute for Advanced Study in 2010-2011
Ajantha Subramanian is Professor of Anthropology and South Asian Studies at Harvard University. Her research interests include political economy, political ecology, colonialism and postcoloniality, space, citizenship, South Asia, and the South Asian diaspora. Her first book Shorelines: Space and Rights in South India (2009), chronicles the struggles for resource rights by Catholic fishers on India’s southwestern coast, with a focus on how they have used spatial imaginaries and practices to constitute themselves as political subjects. She is currently working on a book project titled Gifted: Merit and Caste in Indian Technical Education, which tracks the relationship between meritocracy and democracy in India on order to understand the production of merit as a form of caste property and its implications for democratic transformation.
Introduction by Anupama Rao, Department of History and Barnard College
Saurabh Dube is Professor of History in the Center for Asian and African Studies, El Colegio de México. He earned his PhD in History at the University of Cambridge. He has been a Visiting Professor at Cornell, Johns Hopkins, and the University of Delhi, and was a Guggenheim Fellow in 2007-08. His most recent publications include Subjects of Modernity: Time/Space, Disciplines, Margins (2017); Formaciones de lo contemporáneo [Formations of the Contemporary] (forthcoming, 2017); and the co-edited volumes, with Anupama Rao, Crime Through Time (Themes in Indian History, 2014), and with Ishita Banerjee-Dube, Culturas politicas y politicas culturales: Escenarios de Asia, Africa, Medio Oriente, Mexico (forthcoming 2017).
Organized by the South Asia Institute and the New School University
Presented by the South Asia Institute and the World Music Institute <www.worldmusicinstitute.org>.
Shujaat Husain Khan is one of the leading North Indian classical musicians of his generation. He belongs to the Imdadkhani Gharana (tradition) of the sitar and his style of playing sitar, known as the gayaki ang, is imitative of the subtleties of the human voice. Khan has performed at music festivals in India and throughout Asia, Africa, North America, and Europe. He has headlined at concert halls such as the Royal Albert Hall in London, Royce Hall in Los Angeles, and Congress Hall in Berlin. In 2007, he was the featured artist at musical concerts celebrating India's 50th anniversary of independence at Carnegie Hall in New York, and at celebrations in Seattle and Dallas. Khan was the sole artist representing India in a special performance at the United Nations General Assembly Hall in Geneva commemorating India's independence the same year. Shujaat Khan has been affiliated as a visiting faculty at the Dartington School of Music in England, the University of Washington in Seattle, and the University of California, Los Angeles.
Samir Chatterjee is a virtuoso Tabla player from the Farrukhabad Gharana (school). He has traveled widely across the world to perform at festivals as a soloist or with other outstanding musicians from Indian and western musical traditions. In concert Samir has accompanied many of India's most celebrated musicians and has played with jazz, classical, and experimental musicians and ensembles around the world. Chatterjee performed at the Nobel Peace Prize ceremony in Oslo, Norway in 2007 and has performed several times at the United Nations General Assembly. Chatterjee has been teaching for 35 years and is the Founder-Director of Chhandayan, an organization dedicated to promoting and preserving Indian music and culture. He has taught at Yale University, Manhattan School of Music, the New School, and the Universities of Pittsburgh and Bridgeport.
Time: 7:30pm - 10:30pm